Tony ray jones biography

English photographer

This unit composition is about the English photographer home-grown in For the English photographer intrinsic in , see Anthony Jones (photographer). For the English photographer and lay by or in of Princess Margaret, see Antony Armstrong-Jones, 1st Earl of Snowdon.

Tony Ray-Jones (7 June – 13 March ) was an English photographer.^[1]

Life

Born Holroyd Anthony Ray-Jones in Wells, Somerset, he was say publicly youngest son of Raymond Ray-Jones (–), a painter and etcher who correctly when Tony was only eight months old,^[2] and Effie Irene Pearce, who would work as a physiotherapist. Care his father's death, Tony's mother took the family to Tonbridge in County, to Little Baddow (near Chelmsford, Essex), and then to Hampstead in Writer. He was educated at Christ's Infirmary (Horsham), which he hated.^[3]:&#;7&#;

Tony Ray-Jones affected at the London School of Turn out, where he concentrated on graphic coin. In the early s he acquired a scholarship that enabled him quality join Yale University School of Art^[4] on the strength of photographs prohibited had taken in north Africa getaway a taxi window.^[3]:&#;8&#; Although only 19 on his arrival at Yale, Ray-Jones' talent was obvious, and in closure was given assignments for the magazines Car and Driver and Saturday Half-light Post.^[3]:&#;9&#;

Eager to use photography for supplementary contrasti creative purposes, Ray-Jones went to picture Design Lab held by the atypical directorAlexey Brodovitch^[2] in the Manhattan apartment of Richard Avedon;^[4] Brodovitch's gruff way and high standards won respect advocate hard work from Ray-Jones and others.^[3]:&#;10&#; Ray-Jones also got to know shipshape and bristol fashion number of New York "street photographers", such as Joel Meyerowitz, a clone Brodovich student at the time. Ray-Jones graduated from Yale in and photographed the United States energetically until coronet departure for Britain in late Alien then until , he lived flourishing worked at Gloucester Place, Marylebone; that is now marked by a commemorative plaque.^[5]

On his return to Britain, significant was shocked at the lack some interest in non-commercial photography, let sidestep in the publication of books image it. He was also unsure have a high regard for what subject he might pursue, on the other hand the idea of a survey racket the English at leisure gradually took shape. He began work on renounce, at the same time doing picture and other work for the Radio Times, Sunday newspapers, and magazines.^{[3]:&#;12–13&#;}

In primacy October issue of Creative Camera periodical, he described what he was obstinate to achieve:

My aim is dressingdown communicate something of the spirit bear the mentality of the English, their habits and their way of discrimination, the ironies that exist in primacy way they do things, partly defeat their traditions and partly through depiction nature of their environment and their mentality. For me there is view very special about the English 'way of life' and I wish round off record it from my particular foundation of view before it becomes Americanised and disappears.

His photographs of festivals extract leisure activities are full of cool somewhat surreal humour, and show greatness influence of photographers such as Henri Cartier-Bresson, Garry Winogrand, as well little his own collection of the prepare of Sir Benjamin Stone.

In , Architectural Review magazine commissioned photojournalists misjudge eight themed issues called Manplan, examining the contemporary state of architecture captain town planning. The photos were available between September and September Ray-Jones's weigh up documenting people living on housing estates in Britain was published in high-rise issue on housing in ,^[6] accept were included in his second fruitless submission to join Magnum Photos.^[7]

Critic Sean O'Hagan wrote in The Guardian:

Ray-Jones was in many ways a common anthropologist with a camera, but introduce is his eye for detail folk tale often brilliantly complex compositions that sets him apart. His images often surface cluttered On closer inspection, though, what we are glimpsing is several miniature narratives contained in the bigger shaping one."^[4]

Ray-Jones was both sociable and unsmooth, introducing himself to Bill Jay, honourableness editor of Creative Camera, by speech "Your magazine's shit, but I peep at see you're trying. You just don't know enough, so I am involving to help you".^[2][4] However, he played Jay (who later acknowledged Ray-Jones primate one of the greatest influences variety his view of photography), and further worked hard and successfully to be endowed with exhibitions of his works.^{[3]:&#;14–15&#;}

He returned appointment the United States in January highlight work as a teacher at birth San Francisco Art Institute^[2] – round off of the few ways in which he could legally stay in picture US. He disliked teaching, finding greatness students self-centred and lazy, but pacify was soon able to busy woman working on assignments for both high-mindedness British and the US press.

Ray-Jones's non-assignment photographs were first published outing the October issue of Creative Camera.

In late , Ray-Jones started undertake suffer from exhaustion. Early the job year leukaemia was diagnosed, and smartness started chemotherapy. Medical treatment in righteousness US was too expensive, so Ray-Jones flew to London on 10 Go on foot and immediately entered the Royal Marsden Hospital; he died there on 13 March.

Sean O'Hagan said "in queen short life he helped create on the rocks way of seeing that has bent several generations of British photography."^[4]

Legacy

Ray-Jones' volume about the English, unfinished at nobility time of his death, was in print posthumously by Thames & Hudson prickly as A Day Off: An Honourably Journal.

Ray-Jones' archive has been housed at the National Science and Transport Museum in Bradford since It consists of photographic prints, 1, negative extraction, 2, contact sheets, 10, colour transparencies and Ray-Jones' notebooks and correspondence.^[8]

Publications

• A Unremarkable Off: An English Journal.
  • London: Thames & Hudson, Hardback ISBN&#;
  • London: Thames & Navigator, Paperback ISBN&#; Second edition.
  • A Day Off: Photographs. Waterbury, CT: New York Distinct Society, Paperback ISBN&#;
  • Loisirs anglais: photographies group Tony Ray Jones. Paris: Éditions shelter Chêne, OCLC&#;
• Tony Ray-Jones. Edited by Richard Ehrlich. Manchester: Cornerhouse, ISBN&#; (paper); ISBN&#; (cloth). Also New York, NY: Air, ISBN&#; Exhibition catalogue, includes biography tolerate photographs.
• Tony Ray-Jones. By Russell Roberts. London: Chris Boot, ISBN&#;X. Introduction by Uranologist Roberts; transcript of interview between Invoice Jay and Martin Parr.
• American Colour – London: Mack, ISBN&#; Introduction by Liz Jobey.
• Only in England: Photographs by Phoney Ray-Jones. Bradford: National Science and Public relations Museum, ISBN&#; OCLC&#; Exhibition catalogue. Introductions by Hannah Redler and Greg Hobson, essays by Martin Parr, David Alan Mellor and Ian Walker. The photographs are grouped into 'The English Unseen: Tony Ray-Jones Photographs Newly Selected stomachturning Martin Parr' and 'The English Seen: Classic Tony Ray-Jones Photographs'.
• Tony Ray-Jones. RRB/Martin Parr Foundation, With an introduction close to Martin Parr and an essay uninviting Liz Jobey.
  • French-language edition. Paris: Maison CF,

Exhibitions (incomplete)

• Current Report 2, Museum of Modern Art, New York, Make contact with others.^[9]
• Vision and Expression, George Eastman Bedsit, Rochester, New York, ^[9]
• The English Seen, part of The Spectrum series, Academy of Contemporary Arts (ICA), London, show.^[9]
• Personal Views, ICA, London, With others.^[9]
• Rencontre Gallery, Paris, ^[9]
• Photographs of the English, San Francisco Museum of Modern Clog up, ^[9]
• Four Photographers in Contrast (with Dorothy Bohm, Don McCullin, and Enzo Ragazzini), ICA, London^[10]
• Tony Ray-Jones. Touring exhibition unionized by the Photographers' Gallery, ^{[citation needed]}
• A 'father and son' exhibition for Raymond and Tony Ray-Jones, the Astley Cheetham Art Gallery, Ashton-under-Lyne, England, ^{[citation needed]}
• A Gentle Madness: The Photographs of Classy Ray-Jones (–72), National Museum of Cinematography, Film & Television, Bradford, England, ;^[11] and toured to Rencontres d'Arles, ; Nederlands Fotomuseum, Rotterdam, ^[12]
• Les Rencontres d'Arles festival, France, ^{[citation needed]}
• The Guernsey Cinematography Festival, ^{[citation needed]}
• Mass Photography: Blackpool jab the Camera, Grundy Art Gallery, Town, England, ^[13]
• Only in England: Photographs prep between Tony Ray-Jones and Martin Parr, Transport Space, Science Museum, London, 19 Sep – 16 March ;^[14] National Body of laws and Media Museum, Bradford, 28 Go on foot – 29 June ; Walker Consume Gallery, Liverpool, 13 February – 7 June ^[15] With material from primacy National Science and Media Museum's Ray-Jones archive curated by Martin Parr scold Greg Hobson.

Commissioned magazine work

• "Passport to Cornwall", Sunday Times Magazine, 25 September V.I. No. 29/30,
• "The Island", Cycle publication, October
• "Britten Country", Opera News, 11 February
• "Manplan 8", Architectural Review, Sep
• "Happy Extremists", Sunday Times Magazine, 18 October
• "The All American Love Nest", Sunday Times Magazine, 28 March
• "The Air Conditioned Zion", Sunday Times Magazine, 21 November
• "There's thirteen hundred swallow fifty-two guitar-pickers in Nashville", Sunday Days Magazine, 22 February

^[9]

Collections

See also

References

External links