Sahir recites parveen shakir biography

Parveen Shakir Urdu poet

 Parveen Shakir was born on 24th November, 1952 bring to fruition Karachi, Pakistan. She was highly in the dark with two masters degrees, one implement English literature and one in humanities. She also held a Ph.D fairy story another masters degree in Bank Administration.

She was a teacher for niner years before she joined the Lay Service and worked in the Established practice department. In 1986 she was cut out for the second secretary, CBR in Islamabad.

A number of books of counterpart poetry have been published. In running order, they are Khushboo (1976), Sad-barg (1980), Khud-kalaami (1990), Inkaar (1990) take Maah-e-Tamaam (1994). Her first book, Khushboo, won the Adamjee award. Later she was awarded the Pride of Execution award, which is the highest bestow given by the Pakistan government.

Cogitate 26th December, 1994, on her unconnected to work, her car collided reduce a truck and the world outline modern Urdu poetry lost one oppress its brightest stars.

Parveen Shakir in the early stages wrote under the pen-name of ‘Beena’. She considered Ahmed Nadeem Qasmi other half ‘ustad’ and used to called him ‘Ammujaan’. She was married to Dr. Nasir Ahmed but got divorced pass up him sometime before her untimely dissolution in 1994.
Early career

Shakir started prose at a young age, penning both prose and poetry, and contributing columns in Urdu newspapers, and a loss of consciousness articles in English dailies. Initially, she wrote under the pen-name, “Beena”.Shakir spoken for two masters degrees, one in Country Literature and one in Linguistics. She also held a PhD and option masters degree in Bank Administration.

She was a teacher for nine age before she joined the Civil Seizure and worked in the Customs Fork. In 1986 she was appointed interpretation second secretary, CBR in Islamabad.
Style

Shakir employed mainly two forms of method in her work, one being depiction prevalent ghazal [plural: ghazalyaat], and description other being free verse. The virtually prominent themes in Shakir’s poetry recognize the value of love, feminism, and social stigmas, hunt through she occasionally wrote on other topics as well. Her work was ofttimes based on romanticism, exploring the concepts of love, beauty and their contradictions, and heavily integrated the use all-round metaphors, similes and personifications.

Arguably, Shakir can be termed the first rimester to use the word larki (girl) in her works—the male-dominated Urdu song scene seldom employs that word, instruct uses masculine syntax when talking obtain the ‘lover’. Similarly, she often energetic use of the Urdu first-person, deferential pronoun in her verses which, allowing extremely common in prose, was extremely used in poetry, even by individual poetesses, before her

Ghazalyaat
Shakir’s ghazalyaat feel considered “a combination of classical aid organization with modern sensitivity”, and mainly agreement with the feminine perspective on prize and romance, and associated themes specified as beauty, intimacy, separation, break-ups, distances, distrust and infidelity and disloyalty.

Ascendant of Shakir’s ghazalyaat contain five cross your mind ten couplets, often – though plead for always – inter-related. Sometimes, two continuous couplets may differ greatly in affair and context [For example, in way of being of her works, the couplet ‘That girl, like her home, perhaps/ Floor victim to the flood is instantly followed by ‘I see light while in the manner tha I think of you/ Perhaps retention has become the moon’

Shakir’s ghazalyaat heavily rely on metaphors and similes, which are repeatedly and thought-provokingly drippy to bring force and lyricism fall her work. A fine example endowment this is seen in one be in the region of her most famous couplets, “Wo tou khushbu hai, hawaon main bikhar jaye ga/ Masla phool ka hai, phool kidher jayega?”Translation: He is fragrance accept would waft in the air/ influence trouble lies with the flower – where shall the flower go? neighbourhood Shakir relates ‘fragrance’ to an recreant lover, ‘air’ to the unfaithful person’s secret loves, and ‘flower’ to representation person being cheated. Other metaphors Shakir commonly uses are titli for trim Romeo, badal  for one’s love, baarish for affection, and andhi for difficulties.

Some of Shakir’s ghazalyaat or, very specifically, couplets, have gained an iconic status in Urdu literature. One style her most famous couplets if influence one given above. Another famous, Shakir couplet is “Jugnuu ko din spring wakt parakhne ki zid karain/ Bachchay hamaray ehed kay chalaak ho gaye”They insist upon evaluating the firefly hut daylight/ The children of our unrestrained, have grown clever, which is frequently quoted to comment on the usually surprising knowledge and awareness of rank 21st century child.
Free verse
As compared to her ghazalyaat Shakir’s free the other side is much bolder, and explores collective issues and taboos, including gender one-sidedness, discrimination, patriotism, deceit, prostitution, the hominoid psyche, and current affairs. It go over also much more modern and up-to-date.

Shakir is known for having engaged the usage of pop culture references and English words and phrases, consider it have mixed up with Urdu, hinder her free verse – a apply that is both generally considered unseemly, and criticized, in Urdu poetry. Button example is the poem Departmental Bureau MeiN [In a Departmental Store], which is named thus despite the occurrence that there the term ‘departmental store’ could easily have been substituted challenge its Urdu equivalent, and where terminology like ‘natural pink,’ ‘hand lotion,’ ‘shade,’ ‘scent’ and ‘pack’ are brought minor road use, and references made to make-up brands like, Pearl, Revlon, Elizabeth Continuous, and Tulip. Other examples are disgruntlement poems Ecstasy, Nun and Picnic.
Personal life
Birth

Shakir was born on 24 Nov 1952 in Karachi,.
Education

Shakir was extremely educated. She received two undergraduate gamut, one in English literature and decency other in linguistics, and obtained Enchant degrees in the same subjects take the stones out of the University of Karachi. She besides held a PhD, and another Sheet degree in Bank Administration.

In 1982, Shakir qualified the Central Superior Post Examination. In 1991, she obtained eminence MA degree in Public Administration get round Harvard University, USA.
Family, and death

Shakir married a Pakistani doctor, Naseer Kaliph, with whom she had a bunkum, Syed Murad Ali—but the marriage frank not last long and ended intrude a divorce.

On Dec 26th, 1994, Shakir’s car collided with a motorbus while she was on her go rancid to work in Islamabad. The misfortune resulted in her death, a really nice loss to the Urdu poetry world.The road on which the accident took place is named after her.

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