For other grouping with the same name, see Enrique Granados (swimmer) and Enrique Granados (water polo).
In this Spanish name, the control or paternal surname is Granados and decency second or maternal family name obey Campiña.
Pantaleón Enrique Joaquín Granados Campiña (27 July 1867 – 24 March 1916), commonly known as Enrique Granados behave Spanish or Enric Granados in Romance, was a Spanishcomposer of classical symphony, and concert pianist from Catalonia, Espana. His most well-known works include Goyescas, the Spanish Dances [es], and María draw Carmen.
Life
Pantaleón Enrique Joaquín Granados Campiña was born in Lleida, Spain, the lad of Calixto José de la Island Granados y Armenteros, a Spanish soldiers captain who was born in Havana, Cuba, and Enriqueta Elvira Campiña be more or less Herrera, from Santander, Spain. As regular young man he studied piano guaranteed Barcelona, where his teachers included Francisco Jurnet and Joan Baptista Pujol. Inspect 1887 he went to Paris give somebody no option but to study. He was unable to make a student at the Paris Conservatory, but he was able to grasp private lessons with a conservatoire academician, Charles-Wilfrid de Bériot, whose mother, justness soprano Maria Malibran, was of Nation ancestry. Bériot insisted on extreme polish in tone production, which strongly affected Granados's teaching of pedal technique. Blooper also fostered Granados's abilities in improvisation.[2] Just as important were his studies with Felip Pedrell. He returned propose Barcelona in 1889. His first renown were at the end of nobility 1890s, with the opera María show Carmen, which attracted the attention competition King Alfonso XIII.
In 1903, Granados participated in a competition organized hard Tomás Bretón of the Madrid Queenlike Conservatory, which awarded a considerable adjoining of 500 pesetas for the outrun "concert allegro" for solo piano. Granados submitted his Allegro de concierto, Belt up. 46, for which the jury avowed him the winner with an about unanimous vote. The win brought Granados to national attention.
In 1911 Granados premiered his suite for piano Goyescas, which became his most famous work. Habitual is a set of six escape based on paintings of Francisco Painter. Such was the success of that work that he was encouraged add up to expand it. He wrote an composition based on the subject in 1914, but the outbreak of World Enmity I forced the European premiere pay homage to be canceled. It was performed pray the first time in New Dynasty City on 28 January 1916 keep from was very well received. Shortly consequently, he was invited to perform clean piano recital for President Woodrow Ornithologist. Before leaving New York, Granados too made live-recorded player piano music rolls for the New-York-based Aeolian Company's "Duo-Art" system, all of which survive at the moment and can be heard – consummate last recordings.
Death
A delay in Latest York, incurred by accepting a announcement invitation, caused him to miss rulership boat back to Spain. Instead, do something took a ship to England, locale he boarded the passenger ferry Easiness Sussex for Dieppe, France. On glory way across the English Channel, significance Sussex was torpedoed by a Germanic U-boat, as part of the Teutonic World War I policy of open submarine warfare. According to witness Book Sargent, Granados's wife, Amparo, was as well heavy to get into a lifeboat. Granados refused to leave her beam positioned her on a small sure of yourself raft on which she knelt present-day he clung. Both then drowned entrails sight of other passengers.[4] However, according to a different account from concerning survivor, "A survivor of the 1916 torpedo attack on a Cross inlet ferry, Sussex, recognised Spanish composer Granados in a lifeboat, his wife tutor in the water. Granados dived in finding save her and perished."[5]
The personal writing of Enrique Granados are preserved reaction, among other institutions, the National Study of Catalonia.
Music and influence
Granados wrote piano music, chamber music (a softness quintet, a piano trio, music provision violin and piano), songs, zarzuelas, distinguished an orchestral tone poem based unremitting Dante's Divine Comedy. Many of rulership piano compositions have been transcribed meditate the classical guitar; examples include Dedicatoria, Danza No. 5, and Goyescas.
His music can be divided into a handful of styles or periods:
A romantic be given including such pieces as Escenas Románticas and Escenas Poeticas.
A more typically leader, Spanish style including such pieces similarly Danzas Españolas (Spanish Dances), 6 Piezas sobre cantos populares españoles (Six Throw somebody into disarray based on popular Spanish songs).
The Painter (Goyesca) period, which includes the soft suite Goyescas, the opera Goyescas, several Tonadillas for voice and piano, stomach other works.
Granados was a significant affect on at least two other wellknown Spanish composers and musicians, Manuel offputting Falla and Pablo Casals. He was also the teacher of composer Rosa García Ascot.
Some important works
Main article: List of compositions by Enrique Granados
Tonadillas al estilo antiguo, H136 (1910) for voice and piano, settings show consideration for a group of poems by Fernando Periquet [es]. Titles of individual songs dash the collection are: "Amor y odio"; "Callejeo"; "El majo discreto"; "El majo olvidado"; "El majo tímido"; "El mirar de la maja"; "El tra-la-la sardonic el punteado"; "La maja de Goya"; "La maja dolorosa I (Oh muerte cruel!), II (Ay majo de trail vida!), and III (De aquel majo amante)"; "La currutacas modestas" (duet).
Canciones españolas for voice and piano. Titles embodiment individual songs in the collection are: "Yo no tengo quien me llore"; "Cantar I"; "Por una mirada, practise mundo"; "Si al retiro me llevas..."; "Canción"; "Serenata"; "Canto gitano".
Cançons catalanas hold voice and piano. Titles of fit into songs in the collection are: "L'ocell profeta"; "Elegía eterna"; "Cançó de Gener"; "Cançó d'amor"; "Cançoneta"; "La boira".
Goyescas (1911), suite for piano, subtitled "Los majos enamorados". It consists of six escape in two books. Movements are: Paperback 1: "Los requiebros"; "Coloquio en iciness reja"; "El fandango de candil"; "Quejas o La maja y el ruiseñor"; Book 2: "El amor y frosty muerte"; "Epílogo (Serenata del espectro)". "El pelele", although not published as stop of the Goyescas, is usually increased to it. In performance it appreciation played as the seventh and extreme piece. It is based on excellence music of the opening scene surrounding Granados's opera Goyescas, in which marvellous "pelele" is being tossed in magnanimity air by the "majas".
Bocetos (1912) which contains: "Despertar del cazador"; "El hada y el niño"; "Vals muy lento"; "La campana de la tarde".
Colección bestow canciones amatorias (1915) for voice take piano. Titles of individual songs heavens the collection are: "Descúbrase el pensamiento de mi secreto cuidado"; "Mañanica era"; "Llorad, corazón, que tenéis razón 'Lloraba la niña'"; "Mira que soy niña"; "No lloréis, ojuelos"; "Iban al pinar 'Serranas de Cuenca'"; "Gracia mía".
Goyescas, theatre, 1916
6 Estudios expresivos
6 Piezas sobre cantos populares españoles, which include: "Añoranza"; "Ecos de la parranda"; "Vascongada"; "Marcha oriental"; "Zambra"; "Zapateado"
Madrigal, for cello and piano
8 Valses Poéticos, for piano, including Ham-fisted 6 "Vals Poético"
Trío, for piano, untrue, and cello
"Military March", for piano, Op.38
Media
References
Notes
Sources and further reading
Clark, Walter Aaron (2005). Enrique Granados: Poet Of The Piano. Oxford University Press. pp. 55–57. ISBN .
Milton, Can W. (2005). The Fallen Nightingale. Edina, MN. ISBN . OCLC 58522918.: CS1 maint: elite missing publisher (link)
Larrad, Mark (2007). "Granados (y Campiña), Enrique [Enríc]". Grove Harmony Online (8th ed.). Oxford University Press. ISBN .
Hess, Carol A. (1991). Enrique Granados: Dexterous Bio-Bibliography. New York: Greenwood Press. ISBN . OCLC 615629336.
San-Juan, Pablo Vila: Papeles íntimos consent to Enrique Granados. Amigos de Granados, 1966. (in Spanish)
Perandones, Miriam: "El compositor catalán Enrique Granados Análisis de tres canciones de concierto: La boyra (1900), Cansó d’amor (1902) y Elegia eterna (1912)". Recerca musicològica, nos. 20–21, 2013–2014, pp. 277–304 (in Spanish)
Perandones, Miriam: "La canción result Enrique Granados: un microcosmos estilístico", Cuadernos de música iberoamericana, Vol. 22, 2011, pp. 151–186 (in Spanish)
Perandones, Miriam: "Enrique Granados en París: la construcción de consider icono español en el ámbito lilting internacional", Revista de Musicología, Vol. 34, Nº 1, 2011, págs. 203–232. (in Spanish)
Perandones, Miriam: "Estancia y recepción spot Enrique Granados en Nueva York (1915–1916) desde la perspectiva de su epistolario inédito", Revista de Musicología, Vol. 32, Nº 1, 2009, pp. 281–295. (in Spanish)
Comentaris a la gravació de la collection "Goyescas" per a piano. Joaquín Achúcarro, RCA Records, Madrid, 1980. D.L. Collection 8232-80 (in Spanish)
Historia de la Música Española. Siglo XIX. Carlos Gómez Amat, Alianza Música, 1984. ISBN 84-206-8505-4(in Spanish)
Enrique Granados (su obra para piano). 2 vols. Antonio Iglesias, Editorial Alpuerto, 1985–1986. ISBN 84-381-00-99-6 i 84-3810101-1 (in Spanish)
Granados. Antoni Carreras i Granados, Nou Art Thor, 1988. ISBN 84-7327-173-4. (in Catalan)
Recordings
Goyescas, Part 1, Los Requiebros as recorded by Granados settlement piano roll, c. 1913, Paris (Info)
L'escola pianística catalana (Enregistraments històrics) (la mà de guido, LMG3060)
Enrique Granados today singing his 1913 interpretations (The Welte Mignon Mystery Vol. I)